This masterful movie was made by Joachim Gossmann for our Seismodome show. It really needs to be seen in the planetarium, in which the audience is immersed inside the Earth, and the dome screen is the Northern Hemisphere ! After the Sumatra great earthquake in 2004, the global seismicity rate has increased.. Listen closely !
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Two billion years of convection !
This movie was made by Tobias Rolf, based on his research on planetary evolution, showing a simulation of mantle convection with plate motion in the Earth. This movie is in the introduction to our Seismodome show.
Seismicity in Sumatra
Seismicity in California
Surface Waves, Normal Modes, Free Oscillations !
7 years in Japan (Tohoku Eq, 2011)
This movie shows earthquakes from Japan larger than Magnitude 3.5 (more than 10,000 events), in the years between Jan. 1, 2008 – Dec. 31, 2014. The Magnitude 9.0 Tohoku-oki earthquake was on March 11, 2011 (note the title bar in the movie says 2012, which is incorrect!). This is the same time window and distance in latitude (but not longitude) as the movie on the Caribbean and Haiti M7.0 earthquake: Haiti: vimeo.com/153547570. The dot size is (non-linearly) proportional to magnitude and the color is proportional to depth according to these rules:
Key: vimeo.com/153547572 .
The sound is generated by adding to the sound track tiny earthquake sounds, as described by that link.
The data comes from the ANSS catalog of the US Geological Survey, accessible from here: quake.geo.berkeley.edu/anss/catalog-search.html
Ben Holtzman, Douglas Repetto, Jason Candler, Nolan Lem. CC licence seismicsoundlab.org .
7 years in the Caribbean (Haiti eq., 2010)
This movie shows earthquakes in the Caribbean region larger than Magnitude 3.5 (about 8,000 events), in the years between Jan. 1, 2008 – Dec. 31, 2014. The Magnitude 7.0 Haiti earthquake was on January 12, 2010. This movie covers same time window and distance in latitude (but not longitude) as the movie on the Japan region and Tohoku Mag9.0 earthquake: vimeo.com/153547571.
The dot size is (non-linearly) proportional to magnitude and the color is proportional to depth according to these rules:
Key: vimeo.com/153547572 .
The sound is generated by adding to the sound track tiny earthquake sounds, as described by that link.
The data comes from the ANSS catalog of the US Geological Survey, accessible from here: quake.geo.berkeley.edu/anss/catalog-search.html
Ben Holtzman, Douglas Repetto, Jason Candler, Nolan Lem. CC licence seismicsoundlab.org .
The Key to Catalog Movies
An earthquake “catalog” is the list of time, location, magnitude, depth and other parameters describing the energy released by the earthquake. We generate dots and synchronous sounds marking each event, to generate movies with soundtracks for a region and time window, such as these:
Tohoku: vimeo.com/153547571
Haiti: vimeo.com/153547570
The sounds for each earthquake magnitude are sampled from small aftershocks of sonified data from the Mag6.6 Niigata, Japan earthquake of 2007. With increasing depth, we filter out increasing amounts of high frequency energy to give the impression of attenuation of waves as they travel from greater depths in the earth towards the surface where they are recorded.
Ben Holtzman, Douglas Repetto, Jason Candler, Nolan Lem CC seismicsoundlab.org
7 years of earthquakes in California
Douglas Repetto masterpiece, made with python. The two big ones are Mag 6.6. San Simeon eq., 2003 and Mag 6.0 Parkfield eq. 2004. This is the sound of two plates grinding past each other.
Ground Motion Movies
Martin Pratt’s work in progress on ground motion movies (or visualizations, as called at IRIS, where the idea was developed). Here, we are making them 3D in Unity, for SeismoDome, Hololens, screen, etc…